| The SF, Horror and Fantasy Film Review |
|
|
|
|
|
|
 |
| Science-Fiction |
|
|
| Horror |
|
|
| Fantasy |
|
|
|
|
|
|
|
|
|
VIRTUAL SEXUALITY
Rating: 
UK. 1999.
Director – Nick Hurran, Screenplay – Nick Fisher, Based on the Novel by Chloe Rayban, Producer – Christopher Figg, Photography – Brian Tufano, Music – Rupert Gregson-Williams, Visual Effects Supervisor – John Richards, Digital Visual Effects – The Film Factory at VTR (Supervisor – Andrew Fowler), Production Design – Chris Edwards. Production Company – The Bridge/Noel Gay Motion Picture Co.
Cast:
Rupert Penry-Jones (Jake), Laura Fraser (Justine Parker), Luke De Lacey (Chas Lovett), Kieran O’Brien (Alex), Marcelle Duprey (Fran), Natasha Bell (Isabelle ‘Hoover’ Clarkson), Steve John Shepherd (Jason), Laura Macaulay (Monica), Roger Frost (Frank), Ruth Sheen (Jackie)
Plot: 17 year-old Justine Parker is trying to decide who to lose her virginity with. She accompanies nerdish Chas Lovett to a Virtual Reality exhibition. She is trying out a program that allows her to virtually design her perfect mate when a power surge blows the system up. This causes Justine’s dream guy to emerge physically but having her memories. Calling himself Jake, he stays with Chas and tries to come to terms with life in a male body. But he now finds himself the subject of much female attention, including Justine, who, unaware of who he is, falls for him in a big way.
Despite the title, Virtual Sexuality is not a work of porn or erotica – which must no doubt have disappointed some people who were drawn by the title expecting otherwise. Instead it is really a variant on the British teen romance/first love film. It comes out like a British version of Weird Science (1985), albeit with a sex change where the person that emerges from the computer is an idealized guy rather than Kelly LeBrock.
The Virtual Reality aspect is minimal – it’s only wound in as a topical buzzword and a handy explain-all for what is happening. British teen comedies – Gregory’s Girl (1980), Getting It Right (1986), The Rachel Papers (1989) – while rarer are usually far less cliched then American counterparts and seem more chirpy in tone and founded in a greater social realism. Virtual Sexuality has an appealingly bubbly frothiness – the character introductions with title cards are especially cute. And when the film was censored for US release it was able to plaster big red Xs over the naked male penises during a shower scene without the effect seeming in the slightest out of place. Unfortunately all the chirpiness of tone doesn’t quite overcome a fairly banal approach and a script that quickly follows cliched arcs. It all turns out on a predictably upbeat note where the girl finally does it with the right guy and so on.
Copyright Richard Scheib 2001
|