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THE TRANSFORMERS – THE MOVIE
Rating: 
USA. 1986.
Director – Nelson Shin, Screenplay – Ron Friedman, Producers – Joe Bacal & Tom Griffin, Music – Vince Di Cola. Production Company – Marvel/Sunbow.
Voices:
Robert Stack (Ultra Magnus), Leonard Nimoy (Galvatron), Orson Welles (Unicron), Eric Idle (Wreck Gar), John Moschitta (Blurr), Judd Nelson (Hot Rod), Lionel Stangler (Kup), Scatman Crothers (Jazz)
Plot: The evil Decepticon transformers – giant-sized humanoid robots capable of folding up into various mechanoid shapes – lead an attack on the good Autobot transformers’ Earth city. The Autobots win but both sides suffer losses. The power-hungry Decepticon Starscream dumps the Decepticon leader Megatron’s damaged body into space and proclaims himself the new ruler. But Megatron is drawn into the giant, mechanized planet Unicron, which rebuilds him more powerful than before. Renamed Galvatron, he blasts Starscream away and proceeds to lead the Decepticons onto war against the Autobots.
It was Star Wars (1977) that gave the filmmaking industry a surprise by showing just how much money could be made by following a popular sf/fantasy film with a line of toys. By the time Return of the Jedi (1983), George Lucas and 20th Century Fox had clued up to just how much could be made and the film itself was being specifically designed around selling the toys – hence the extended Jabba the Hut sequence, which was designed to introduce as many exotic creatures as possible. It wasn’t long before others were thinking likewise and took the process even further – starting lines of toys and then creating a films or tv series to merchandise them. Thus we had the likes of the Care Bears movies, Rainbow Brite and the Star Stealer (1986), He-Man and the Masters of the Universe (1983-6), Dino-Saucers (1987) and Jem (1985-7) tv series, and later the whole Pokemon phenomenon.
The Transformers –The Movie movie was spun off from an incredibly popular line of toys released by Hasbro that first premiered in stores in 1984 (the designs of which had all been taken from an earlier line of Japanese toys). At the same time as the toys appeared, the Transformers were immediately drafted into an animated tv series The Transformers (1984-7), upon which this film is directly based, as well as a series of comic books. The animated series stayed on air for three seasons and there have been numerous subsequent spinoffs, of which a by-no-means-necessarily exhaustive list includes the Japanese-made series The Transformers: Headmasters (1987), Transformers: Chojin Master Force (1988), Transformers: Victory (1989), the Canadian-made series’ Beast Wars: Transformers (1996-9) and Beast Machines: Transformers (1999-2001), as well as several new Japanese animated series, Transformer: Car Robot (2000-1) and Transformers: Armada (2002-3). And that was of course before the huge success of Michael Bay’s live-action movie Transformers (2007).
Toy sales seem to be the sole motivating reason behind The Transformers –The Movie. It would seems to be the reason why we have so many subplots that have little or no connection to the main story and exist solely to introduce as many Transformers as possible. This becomes irritating to the extent it frequently becomes impossible to tell one character from another or even which side the action is being focused on at any point. The conceptualisation of the transformers themselves seems rather silly – one wonders why anybody would design a robot that would compact up into a vehicle. Planes and spaceships okay, sports-cars is just pushing it, but, for grief’s sake, robots that turn into steam-trains and ghetto-blasters? Why would anybody wish to design robots as sharks and dinosaurs, even less, deliberately stupid ones? Or why for that matter give them such redundantly anthropomorphic features as bi-optic eyes, noses and mouths? The animation has been cheaply produced and is limited.
The film does array an interesting cast, including rather ignobly Orson Welles, whom many consider the greatest American filmmaker, in his penultimate screen performance.
Copyright Richard Scheib 1990
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