| The SF, Horror and Fantasy Film Review |
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| Science-Fiction |
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| Horror |
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| Fantasy |
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OUT MAN FLINT
Rating: 
USA. 1965.
Director – Daniel Mann, Screenplay – Hal Fimberg & Ben Starr, Story – Hal Fimberg, Producer – Saul David, Photography – Daniel L. Fapp, Music – Jerry Goldsmith, Photographic Effects – L.B.Abbot, Emil Kosa Jr & Howard Lydecker, Art Direction – Ed Graves & Jack Martin Smith. Production Company – 2Oth Century Fox.
Cast:
James Coburn (Derek Flint), Lee J. Cobb (Cramden), Gila Golan (Gila), Edward Mulhare (Malcolm Rodney), Rhys Williams (Dr Krupov), Benson Fong (Dr Schneider), Peter Brocco (Dr Wu), Shelby Grant (Leslie), Helen Funai (Sakito), Sigrid Valdis (Anna), Gianna Serra (Gina), Michael St Clair (Hans Gruber)
Plot: Something is causing worldwide water levels to rise. ZOWIE (The Zonal Organization World Intelligence Espionage) elect to send an agent and the undisciplined Derek Flint is chosen for the job by the computer. Flint eventually confronts GALAXY, an organization run by three scientists who believe they can turn the world into a better place and are now planning to activate dormant volcanoes unless the world destroys all military weapons and lets them rule.
Our Man Flint was one of the first of the numerous imitators of the James Bond-inspired spy fad during the 1960s and also one of the first of several to spoof the Bond films. It is also one of the few Bond spoofs from this era that is actually funny – compare it to the abysmal Matt Helm films with Dean Martin.
The film trades in atrocious puns – an eagle that is designed to spot Americans: “You mean it’s an anti-American eagle?” – and sexism – Flint’s code is based on a ‘mathematical progression’ 40-26-36 – familiar to the Bond films. But the film also has an appealingly absurd sense of humour. There are the parodies of the gadgets – like Flint’s multi-purpose cigarette lighter: “This has 82 uses – 83 if you want to light a cigarette,” or the stethoscope built inside his shirt in which the buttons become the earpieces. And there are wonderfully silly moments like where James Coburn revives a dead agent by plugging Lee J. Cobb’s finger into a light socket, holding it and putting his own finger on the agent’s chest.
The pace is somewhat fitful. And as a straight take on the Bond films it lacks that series’ scope (and clearly budget). The few moments that the film does touch the scale of the Bond films is during its large, spectacular destruction climax and with the wonderful sets of the Utopian island base.
The lesser sequel was In Like Flint (1967).
Cast:
Copyright Richard Scheib 1994
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