Review
PHENOMENON
Rating:  
USA. 1996.
Director Jon Turteltaub, Screenplay Gerald DiPego, Producers Barbara Boyle & Michael Taylor, Photography Phedon Papamichael, Music Thomas Newman, Visual Effects Sony Pictures Imageworks (Supervisor Ken Ralston), Special Effects Supervisor David Blitstein, Production Design Garreth Stover. Production Company Touchstone.
Cast:
John Travolta (George Malley), Kyra Sedgwick (Lace Pennamin), Forest Whitaker (Nathan Pope), Robert Duvall (Doc Brunner), Jeffrey DeMunn (Dr John Ringold), Bruce Young (Jack Hatch), Richard Kiley (Dr Willin), David Gallagher (Al Pennamin), Ashley Blicne (Laurie Pennamin)
Plot: While celebrating his 37th birthday, mechanic George Malley steps out of a bar and is hit by a mysterious white light from the sky. Soon after George finds remarkable potentials within himself he can read two or three books a day, has ideas for new inventions, can decode coded Air Force transmissions in his head and is able to predict earthquakes and levitate objects by the power of his mind. At the same time, he romantically pursues solo mother Lace Pennamin. However his powers soon bring the attention of the FBI and rouse suspicion among the local townspeople.
If wholesome and positive films with inspiring messages about human values that leave you going out feeling sad but uplifted are your cup of tea, then youll love Phenomenon. If, like me, you get annoyed with films that very obviously try to pull your emotional strings, Phenomenon is a film you go into resisting the whole way. Theres a certain strain of messianic wish fulfillment in American fantasy, a desire for the miraculous in the everyday. Indeed Phenomenon is very similar to Powder (1995), which was released eight months before this was. In both films, small towns are turned upside down by people with miraculous abilities that include intelligence way off the scale, psychokinesis and a mystical communion with the rest of the universe. Both films contain object lessons about the prejudice of common people toward the gifted. Both films are also ultimately New Age films that iterate the view that everything in the universe is connected because it is all made of energy. And both films end with the death of the protagonist and their transmogrification into oneness with the rest of the universe.
Phenomenon is a very nicely-made film. It has a fine cast, including good performances from in particular John Travolta, Kyra Sedgwick and Robert Duvall. It is nicely photographed and pulls all the emotional strings in the right places. Although the rub is that one is always never less than conscious that it is doing so. And unfortunately the film is also intellectually barren. The great irony is that while it posits a protagonist who has an intellect beyond the realm of an ordinary human, Phenomenons ultimate message is a profoundly anti-intellectual one. All that it has to say comes down to simplistic black-and-whites in feelgood New Age terms the human spirit triumphing over dispassionate science, that we all need to be more tolerant, that positive thinking is good, that we all have untapped mental potential including dormant paranormal abilities, and that science and government are evil.
Phenomenon II (2003) was a tv movie reworking of the basic idea in an attempt to pitch the film as a tv series, which never sold. The role of George was recast with Christopher Shyer.
Director Jon Turteltaub had previously made lightweight mainstream films such as Three Ninjas (1992), Cool Runnings (1993) and While You Were Sleeping (1995). Phenomenon was his first serious film and proved a modest success. Turteltaub next went onto the bizarre killer among the apes film Instinct (1999), Disneys amiable fantasy The Kid (2000), the action films National Treasure (2004) and National Treasure: Book of Secrets (2007) and is currently filming the fantasy film The Sorcerers Apprenctice (2010). Turteltaub has also executive produced and directed some episodes of the post-holocaust tv series Jericho (2006-8). Last updated: Monday, 06 April 2009
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