| The SF, Horror and Fantasy Film Review |
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THE CHRISTMAS THAT ALMOST
WASNT
Rating:
Italy. 1966.
Director Rosanno Brazzi, Screenplay/Lyrics Paul Tripp, Producer
Barry B. Yellen, Photography Alvaro Mancori, Songs Ray Carter, Orchestrations
& Music Direction Bruno Nicolai, Makeup Duilo Giustimi, Production
Design Danilo Zanetti. Production Company Childhood Productions.
Cast:
Alberto Rabagliati (Santa Claus), Paul Whipp (Sam Whipple), Rosanno
Brazzi (Phineas T. Prune), John Karlsen (Blossom), Mischa Auer (Jonathan)
Plot: Kind-hearted lawyer Sam Whipple receives a visit from
Santa Claus. Santa is disconsolate because miser Phineas T. Prune has brought
up the North Pole and evicted him for unpaid rent. Prune will only let
Santa back on the condition that he never give presents to children again.
Rather than face that, Sam and Santa set out to earn the unpaid rent.
Sam tries to get Santa a job as a department store Santa, but Prune determines
to sabotage all their efforts.
This Italian-made kiddie film is an insipid and quite dreary affair.
The plot never manages anything more than a tried, true and quite undistinguished
redemption-of-the-miser rehash. The sets all look drab and dreary the
department store for example consists of a single room and the North Pole
is about the size of a cottage interior. Worse are the special effects
the flight of Santas reindeer and sleigh barely get by, but the model
of the picture postcard town is thoroughly unconvincing. Some films can
surmount all this by simple good cheer, but this is dogged by its complete
failure to fly either as sentiment, humour or imagination. The animated
opening credits, where Santa and Prune hop around rooftops and chimneys
using a series of wild gadgets present the most liveliness on offer in
the film and gives the impression the film is along the lines of a wacky
races caper, but in fact quite belies the utter banality of what is subsequently
delivered. Rabagliati doesnt even seem a particularly convincing Santa
one expects a Santa to be rolypoly and chubby-cheeked, instead Rabagliati
has classical features and his disposition throughout seems more dazed
and somewhat bewildered than jolly.
Copyright Richard Scheib 1993
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